Hall of Mirrors, Art and Film Since 1945, 1996
Travelled to: Museum of Contemporary Art, Los Angeles (1996), Wexner Center for the Arts (1996-97), Palazzo della Esposizioni (1997), MCA, Chicago (1997-98). Catalogue excerpt coming...
Continue ReadingArt Monthly, 1995
Two apparently diverse national myths of land and people are explored in recent photographic exhibitions by Cindy Bernard and John Kippin….the work of both photographers...
Continue ReadingJames Hockey Gallery, Surrey Institute of Art and Design, 1995
Curated by Andrew Cross. Travelled to Viewpoint Photography Gallery, Manchester, England Catalogue excerpt: Durden, Mark, Screen Memories, 1995
Continue ReadingLogic of Concealment, 1994
….The Grid outlines a telary network that doubles the actual path a letter takes from point A to point B. It also plays heavily on...
Continue ReadingSecurity Envelopes, Center for Creative Photography, 1993
Since the late nineteenth century, the technical capability of photography to accurately describe and convincingly distort the visual world has exponentially increased. It is only...
Continue ReadingAsk the Dust, Exhibit A, Serpentine Gallery, 1992
…Once included in the complex narrative of a particular film, the landscapes have often become symbolic of a particular vision of America. The vision, once...
Continue ReadingLos Angeles Times, 1992
If Ask the Dust deals obliquely with the difficult relationship between art and life, the new word does so more insistently. Here art is not...
Continue ReadingSecurity Envelopes, Centro Cultural Arte Contemporaneo, 1991
Bonnie Clearwater, Cindy Bernard, Centro Cultural Arte Contemporaneo, 1991
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